Frederick Landseer Maur Griggs, RA, RE (30 October 1876 - 7 June 1938) was a distinguished English etcher, architectural draughtsman, illustrator, and early conservationist, associated with the late flowering of the Arts and Crafts movement in the Cotswolds. He was one of the first etchers to be elected to full membership of the Royal Academy. Born in Hitchin, Hertfordshire, he worked as an illustrator for the Highways and Byways series of regional guides for the publishers, Macmillans. In 1903 he settled at Dover's House, in the market town of Chipping Campden in the Cotswolds, and went on to create one of the last significant Arts and Crafts houses at 'New Dover's House'. There he set up the Dover's House Press, where he printed late proofs of the etchings of Samuel Palmer, amongst others. He collaborated with Ernest Gimson and the Sapperton group of craftsmen in architectural and design work in the area............... Edward Verrall Lucas, CH (11/12 June 1868 - 26 June 1938) was an English humorist, essayist, playwright, biographer, publisher, poet, novelist, short story writer and editor. Born to a Quaker family on the fringes of London, Lucas began work at the age of sixteen, apprenticed to a bookseller. After that he turned to journalism, and worked on a local paper in Brighton and then on a London evening paper. He was commissioned to write a biography of Bernard Barton, the Quaker poet. This led to further commissions, including the editing of the works of Charles Lamb. Lucas joined the staff of the humorous magazine Punch in 1904, and remained there for the rest of his life. He was a prolific writer, most celebrated for his short essays, but he also produced verses, novels and plays. From 1908 to 1924 Lucas combined his work as a writer with that of publisher's reader for Methuen and Co. In 1924 he was appointed chairman of the company. Writer: Lucas's Quaker background led to a commission from the Society of Friends for a biography of Bernard Barton, the Quaker poet and friend of Charles Lamb. The success of the book was followed by further commissions from leading publishers; the most important of these commissions was a new edition of Lamb's works, which eventually amounted to seven volumes, with an associated biography, all published between 1903 and 1905. His biographer Katharine Chubbuck writes, "These works established him as a critic, and his Life of Charles Lamb (1905) is considered seminal."[1] In 1904, while in the middle of his work on Lamb, he joined the staff of Punch, remaining there for more than thirty years. Lucas introduced his Punch colleague A A Milne to the illustrator E H Shepard with whom Milne collaborated on two collections of verse and the two Winnie-the-Pooh books. Lucas's output was prolific; by Max Beerbohm's estimation he spoke fewer words than he wrote.Lucas's Punch colleague E V Knox commented, "Lucas's publications include many anthologies and about thirty collections of light essays, on almost any subject that took his fancy, and some of the titles which he gave to them, Listener's Lure (1905), One Day and Another (1909), Old Lamps for New (1911), Loiterer's Harvest (1913), Cloud and Silver (1916), A Rover I Would Be (1928), indicate sufficiently the lightness, gaiety, and variety of their contents." He wrote travel books, parodies, and books about painters. Of the last he said, "I know very little about pictures, but I like to write about them for the benefit of those who know less." Frank Swinnerton wrote of him: Lucas had a great appetite for the curious, the human, and the ridiculous. If he were offered a story, an incident or an absurdity, his mind instantly shaped it with wit and form. He read a character with wisdom, and gravely turned it to fun..................