About the Book
Excerpt from The Granite Monthly, 1919, Vol. 51: New Hampshire State Magazine A Deserted Homstead, by Alida Cogswell True, p. 387; A League of Nat1ons, by Loren '6 ebsber, 102; A Memo1y, by Helen Adams Parker, 446; A Mother to Her Son, by Jean R. Patterson, 459; April, by F. M. Colby, 171; At Ninety Years, by Bela. Chapin, 124° Autumn in a New° Hampshire Village, by-a. W. Anderson, 498; Bear Island, by Mary H. W'heeler, 272; Bouncing Bet, by Alice M. Shepard, 449; Death and Roosevelt, bye. H. Baynes, 64; E11 gland, by Alice Brown, 8; February12, 1919, by Clarence E. Carr, 238; The F irst Snow, by Virginia. B. Ladd, 588;g011_1g Back Home, by Martha S. Baker, 344; Hospitality, by Frances C. Hamlet, 318; 111 Dreamy, Sunny Mexico, F. M. Colby, 126; Just 3 Cottage Quaint a11d Old, ' by K. C. Simonds, 482; Keeping the Flags Together, by Charles E. Sargent, 460; Kear serge, by C S. Pratt, 161, Lake Winnipesaukee, by maryb. Benson, 356; Lilacs, by Frances C. Hamlet, 273; Lilacs by the Door, by Harriet Barton 2? 3; \'i'onad nook at Sunset, by C. N Holmes, iioemlau-ke, by Elizabeth T. Mcgaw, 522; My Mother, bye. H. 1110113165, 24; New Hampshixes 01d Home Week, by C. H. Chapin, 36; Nighttime, by F. M. Pray; 551; Rosemary, by F. M. Pray, 263; Rasp berrying, by Mary E. Hough, 485; Song, -by Carolyn 11111111311, 305; Sonnet to Euterpe, by Louise P. Guyol, 102; Sunshine after Rain, by H. A. Parker, '254; -'ieiling Grandpa's Bees, by Laura. A. Rice, 127; The Blue - Bird, by Bela. Chapin, 139; The Call, by E. M. Prev 175; The Connecticut, by P. R. Bugbee, 591; The Crosses. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
