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Given: 1° Art 2° Crime: Modernity, Murder and Mass Culture

Given: 1° Art 2° Crime: Modernity, Murder and Mass Culture

          
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About the Book

Investigates links between avant-garde art and the aesthetics of crime in order to bridge the gap between high modernism and mass culture, as emblematised by tabloid reports of unsolved crimes. Throughout Jean-Michel Rabate is concerned with two key questions: what is it that we enjoy when we read murder stories? and what has modern art to say about murder? Indeed, Rabate compels us to consider whether art itself is a form of murder. The book begins with Marcel Duchamp's fascination for trivia and found objects conjoined with his iconoclasm as an anti-artist. The visual parallels between the naked woman at the centre of his final work, 'Étant donnés', and a young woman who had been murdered in Los Angeles in January 1947, provides the specific point of departure. The text moves onward to Steven Hodel, the 'Black Dahlia' murder; Walter Benjamin's description of Eugene Atget's famous photographs of deserted Paris streets as presenting 'the scene of the crime'; and Ralph Roff's 1997 exhibition, which implied that modern art is indissociable from forensic gaze and a detective's outlook, a view first advanced by Edgar Allan Poe.


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Product Details
  • ISBN-13: 9781845191115
  • Publisher: Sussex Academic Press
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Spine Width: 30 mm
  • Weight: 499 gr
  • ISBN-10: 1845191110
  • Publisher Date: 01 Sep 2006
  • Height: 218 mm
  • No of Pages: 228
  • Series Title: Critical Inventions
  • Sub Title: Modernity, Murder and Mass Culture
  • Width: 160 mm


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Given: 1° Art 2° Crime: Modernity, Murder and Mass Culture
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