Home > Society & social sciences > Society & culture: general > Media studies > Geschichte im Fernsehen. "Histotainment" oder eine ernstzunehmende Möglichkeit der Bildungsarbeit?: Formate und Machern sowie Beispielen und Kritik anhand des Doku-Dramas "Die Wölfe"
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Geschichte im Fernsehen. "Histotainment" oder eine ernstzunehmende Möglichkeit der Bildungsarbeit?: Formate und Machern sowie Beispielen und Kritik anhand des Doku-Dramas "Die Wölfe"

Geschichte im Fernsehen. "Histotainment" oder eine ernstzunehmende Möglichkeit der Bildungsarbeit?: Formate und Machern sowie Beispielen und Kritik anhand des Doku-Dramas "Die Wölfe"

          
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About the Book

Studienarbeit aus dem Jahr 2009 im Fachbereich Medien / Kommunikation - Film und Fernsehen, Sprache: Deutsch, Abstract: In Deutschland war die Verarbeitung historischer Themen in Film und Fernsehen lange ein schwieriges Thema, das sich aber zunehmend und verstärkt mit der Gründung der ZDF-Redaktion "Zeitgeschichte" 1984 unter Leitung des TV-Historikers Guido Knopp etablierte. Heute erfreut sich die audiovisuelle Darstellung von Geschichte immer größerer Beliebtheit - ob innerhalb von Fernsehserien, als Dokumentationen oder als Hollywood-reife Blockbuster. Dieser Meinung sind nicht nur vergangenheitsliebende Fernsehmacher wie Guido Knopp, sondern auch immer mehr Regisseure und TV-Anstalten, die den genannten Trend in der Nachfrage nach Geschichtsproduktionen und deren Einspielergebnissen (Zuschauer- und Kinobesucherzahlen) bestätigt sehen und ihr Publikum somit zu besonderen Anlässen wie Jahrestagen, Todestagen historischer Persönlichkeiten oder einem sich wiederholenden Einschnitt in der Geschichte mit neuen Produktionen versorgen. Und selbst die Autoren aus dem wissenschaftlichen Bereich wie zum Beispiel Rainer Wirtz und Eberhard Görner sind sich einig, dass der Film für die Entwicklung von Geschichtsbildern immer mehr an Bedeutung gewinnt. Woher das scheinbar steigende Interesse an Geschichte in Film und Fernsehen kommt - ob durch die spektakulären Aufbereitungen der historischen Stoffe, die Special Effects, Nachholbedarf des jüngeren Publikums, Generationswechsel bei Sendern und Produktionsfirmen, die prominenten Besetzungen oder einfach aus der Tatsache heraus, dass beispielsweise das Fernsehen ein allgegenwärtiges Medium ist, das durch seine spezifische Vermittlungsform die Neugier der Zuschauer auf das Gesendete lenkt - ist nicht eindeutig geklärt.


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Product Details
  • ISBN-13: 9783668372740
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 2 mm
  • Weight: 54 gr
  • ISBN-10: 3668372748
  • Publisher Date: 11 Jan 2017
  • Height: 210 mm
  • No of Pages: 30
  • Series Title: German
  • Sub Title: Formate und Machern sowie Beispielen und Kritik anhand des Doku-Dramas "Die Wölfe"
  • Width: 148 mm


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Geschichte im Fernsehen. "Histotainment" oder eine ernstzunehmende Möglichkeit der Bildungsarbeit?: Formate und Machern sowie Beispielen und Kritik anhand des Doku-Dramas "Die Wölfe"
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Geschichte im Fernsehen. "Histotainment" oder eine ernstzunehmende Möglichkeit der Bildungsarbeit?: Formate und Machern sowie Beispielen und Kritik anhand des Doku-Dramas "Die Wölfe"
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Geschichte im Fernsehen. "Histotainment" oder eine ernstzunehmende Möglichkeit der Bildungsarbeit?: Formate und Machern sowie Beispielen und Kritik anhand des Doku-Dramas "Die Wölfe"

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