This biography of George Chambers, arguably the most important marine painter of the nineteenth century, seeks to remedy the sad neglect into which art appreciation has allowed him to fade in the years since his death. It brings the benefit of extensive new picture research to illustrate the biographical narrative of a young artist who, from humble beginnings and with no formal training, rose in his short life to royal patronage and national renown and who, uniquely, became the embodiment of the true romantic spirit in sea painting. Chambers' work is remarkable for its equal mastery of oils and watercolours, in a range of marine-related subject-matter. After early periods as a panorama and theatrical scene painter, his work falls into three main thematic groups. The first group, which best expresses his romantic spirit, comprises works from nature in which he sought to capture and interpret its moods through depiction of sea and sky, ships, boats and people. People were important to him and always figure in his scenes. The second group, waterside views, vary from peaceful scenes or riverside buildings with people about their tasks to crowded royal celebrations such as 'The Opening of London Bridge'. The third group is perhaps his best known - paintings of naval engagements commissioned by naval commanders, his most important for the Greenwich Hospital Gallery. The biographical narrative quotes generously from the Memoir published in 1841 by his close friend, John Watkins, based largely on his correspondence with the artist. In Alan Russett's new work the life story is amplified and interwoven with a discussion and assessment of individual paintings and drawings. He concludes with anappraisal of George Chambers' contribution to and position in nineteenth century British art.

George Chambers was arguably the most important marine painter of the nineteenth century. The present biography seeks to remedy the neglect of Chambers in art appreciation circles and uses quotations and edited extracts from the earlier work by John Watkins, a close friend of the artist, who wrote and published his Life and Career of George Chambers in 1841. Above all, Alan Russett's new work expands, clarifies, fills gaps and provides additional background including the benefits of extensive picture research which serves to illustrate the narrative with a comprehensive selection of Chambers works, including some from private collections. The position of George Chambers in nineteenth century painting is, therefore, comprehensively appraised in relation to other leading marine painters and the result is a visually stimulating presentation which will add substantially to our knowledge of this important and highly talented artist.