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Galerie Du Musée de France, Vol. 6 (Classic Reprint)

Galerie Du Musée de France, Vol. 6 (Classic Reprint)

          
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About the Book

Excerpt from Galerie du Musée de France, Vol. 6

LA chapelle Paoline et la chapelle Sixtine sont les deux seuls édifices publics que Michel - Ange ait décorés le Crucifiement de Saint - Pierre et la Con version de Saint Paul furent les deux sujets qu'il exécuta dans la première, malheureusement le tems ne les a pas respectés. On connaît fort peu, ou pour mieux dire on ne connaît point de tableaux de cabinet de lui, ceux qu'on lui attribue n'étant nullement authenthique3. Lanzi parle d'une Léda que l'on pré - tendait admirable que Michel - Ange exécuta à -flo rence pour Alphonse duc de Ferare et que ce prince cependant ne posséda point. Le courtisan qu'il avait chargé de recevoir ce tableau des mains du peintre, en agit apparemment d'une manière trop cavalière avec ce grand maître il s'en offensa refusa de livrer le tableau, et en fit don à Antonio Mini l'un de ses élèves, qui le porta en France. Vasari prétend que c'était un grand tableau peintà l'aqua - relle. Mariette dans les notes qu'il a ajoutées à l'édition du Condivi dit l'avoir vu mais qu'il était dans un mauvais état; et que dans cet ouvrage il lui semblait que michel-ange avait cherché à se rapprocher du Titien. D'après cette opinion de Mariette, Lanzi pense que ce connaisseur n'a vu qu'une copie du tableau dont il s'agit. Il est. Certain que {sous le règne de Louis XIII m.desnoyers surintendant des finances, fit brûler, par un sentiment de dévotion exagérée le tableau original Mariette n'avait donc pu le voir. Il est encore dans la tribune de la galerie de Florence un tableau d'une conservation parfaite attribué à Michel - Ange et qu'il composa et exécuta pour Agnol Doni, il est rond et représente une Sainte famille. C'est à tort, selon Lanzi que Richardson et quelques autres en ont vanté la couleur vigoureuse c'est une aquarelle. De-là vient, dit - il que placé à côté des ouvrages des plus célèbres peintres de toutes les écoles qui, sur ce théâtre de l'art, semblent pour ainsi dire trembler les uns devant les autres, ce ta - bleau parait le plus savant, mais le moins beau, et que son auteur est proclamé le plus fort dessinateur mais le plus faible coloriste. D'ailleurs, la perspec - tive aé'rienne y est négligée, et la dégradation des figures 'n'y est point un effet de la lumière, défaut commun aux peintres de l'époque de michel-ange. Il existe plusieurs Crucifimens, ou Crucifix, dans dif - férens cabinets plus authentiquement reconnus pour ètre de lui. Bottari et Lanzi en citent plusieurs. On sait qu'il répéta plusieurs fois ce sujet, et personne n'ignore la fable absurde par laquelle on supposa qu'il lit expirer un homme sur une croix pour mieux saisir la nature. Ce conte populaire ne mérite pas d'ètre réfuté.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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Product Details
  • ISBN-13: 9780259237372
  • Publisher: Forgotten Books
  • Publisher Imprint: Forgotten Books
  • Edition: Classic Reprint
  • Language: French
  • Weight: 584 gr
  • ISBN-10: 025923737X
  • Publisher Date: 19 Oct 2018
  • Binding: Paperback
  • Height: 229 mm
  • Returnable: N
  • Width: 152 mm


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