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Film-Theorien. Von der sowjetischen Montagetheorie zur Genretheorie

Film-Theorien. Von der sowjetischen Montagetheorie zur Genretheorie

          
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About the Book

Studienarbeit aus dem Jahr 2010 im Fachbereich Filmwissenschaft, Note: 1,0, Friedrich-Schiller-Universität Jena, Veranstaltung: Einführung in die Filmtheorie, Sprache: Deutsch, Abstract: Mit der Frage "Was ist Film?" wurde die Filmtheorie des frühen Kinos von Lumière und Méliès eingeleitet. Das "Kino der Attraktionen" mit seinen Trickeffekten wich um 1907 dem Kino der Narration, das den Grundstein für die heutigen (Spiel-)filme legte. Mit Kuleschow, Pudowkin und Eisenstein rückte ab den 20er Jahren die Montage ins Zentrum des theoretischen Interesses, während sich der Russische Formalismus etwa zur gleichen Zeit dem Film aus einer literaturtheoretischen Perspektive widmete. In Deutschland propagierte Arnheim Anfang der 30er Jahre den Kunststatus des Films, wohingegen Bazin nach dem Ende des Zweiten Weltkrieges mit seiner Realismustheorie eine gegenteilige Position einnahm. Etwa zur selben Zeit verfolgte Kracauer mit seiner Arbeit From Caligari to Hitler einen soziologischen Ansatz zum Film. Mit Metz hält die Semiotik Einzug in die Filmtheorie, gefolgt von psychoanalytischen und feministischen Ansätzen. Der Neoformalismus der 80er Jahre greift auf die Begriffe der Russischen Formalisten zurück, während die Historische Poetik den externen Faktoren des Films besondere Beachtung schenkt. Mit der Theorie des filmischen Raums und der Genre-Theorie rücken einzelne Aspekte des Films in den Vordergrund, wohingegen Deleuze mit seinem philosophischen Verständnis des Kinos um 1990 den letzten Entwurf einer ganzheitlichen Filmtheorie vorlegt. In der vorliegenden Arbeit sollen die wichtigsten Ideen der theoretischen Postionen von Kuleschow und Pudowkin, Arnheim, Kracauer, Metz, Altman und Schweinitz heraus-gearbeitet, kontextualisiert und anschließend kritisch bewertet werden. Eine abschließende vergleichende Betrachtung dient der Zusammenführung der verschiedenen Ansätze.
About the Author: Corinna Gronau, M.A., wurde 1988 in Berlin geboren. Ihr Studium der Kunstgeschichte und Germanistischen Literaturwissenschaft an der Friedrich-Schiller-Universitat Jena schloss die Autorin mit dem akademischen Grad Bachlor of Arts erfolgreich ab. Ihr Masterstudium der Kommunikation und Sprache mit dem Schwerpunkt Medienwissenschaft absolvierte sie an der TU Berlin. Praktische Erfahrung in den Bereichen Redaktion, Marketing und Lektorat konnte Corinna Gronau in mehreren Praktika und einem Verlagsvolontariat sammeln. Derzeit arbeitet sie als PR-Beraterin in einer Agentur in Ingolstadt.


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Product Details
  • ISBN-13: 9783656725923
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Weight: 50 gr
  • ISBN-10: 3656725926
  • Publisher Date: 03 Sep 2014
  • Height: 210 mm
  • No of Pages: 28
  • Spine Width: 2 mm
  • Width: 148 mm


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