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Eustache Du Caurroy, Meslanges

Eustache Du Caurroy, Meslanges

          
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About the Book

English summary: This volume contains a collection of writings about the composer Eustache de Caurroy by musical theorists of his time. French description: A. Gantez (c. 1600-1668) n'est pas le seul a voir en Du Caurroy l'un des chefs de file des compositeurs academiques, apotres (au moins en partie) d'un contrepoint savant. Dans son traite publie en 1639, Antoine Parran (1587-1650) ayant, d'apres sa propre experience, classe la musique en quatre categories, ne decrit-il pas la quatriesme sorte [] une Musique grandement observee, toute pleine d'industrie et de doctrine [] comme pourroit estre celle de Claudin, du Caurroy, et plusieurs autres Maistres de ce temps comme l'on peut voir au Puy de Saincte Cecile. Occupes a servir les chapelles privees ou les institutions ecclesiastiques, ces compositeurs, parfois recompenses lors de joutes musicales, ne pratiquent guere l'air de cour, genre en plein epanouissement qui ravit les salons de Louis XIII comme les demeures plus modestes, pour le plus grand benefice de l'imprimeur parisien Pierre Ballard - celui-la meme qui imprime l'essentiel de la musique que nous connaissons de Du Caurroy. Ces musiciens - au nombre desquels figurent Nicolas Forme (1567-1638), qui succede a Du Caurroy comme responsable de la musique de la chapelle royale, Jean de Bournonville (c. 1585-1632), Artus Aux-Cousteaux (c. 1590- c.1656) pratiquent une musique dont le style s'apparente a celui que Du Caurroy a indirectement herite de Josquin des Prez (c. 1450-1521) et d'Adrian Willaert (c. 1490-1562), entre autres; cette maniere, apparue comme desuete des le dernier quart du 16e siecle, s'accorde difficilement avec la simplicite de l'air de cour (simplicite exprimee tant dans le sujet et la forme litteraires, que dans le profil melodique, les procedes de composition et la forme strophique). Ainsi, en marge de certains ecrits de theoriciens contemporains - par Salomon de Caus (c.1576-1626), Antoine Du Cousu (c.1600-1658), Marin Mersenne (1588-1648), Antoine Parran (1587-1650) - qui louent en Du Caurroy l'heritier francais de Gioseffo Zarlino, les adeptes du stile antico pratique en France durant la premiere moitie du 17e siecle rendent a leur maniere hommage au compositeur.


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Product Details
  • ISBN-13: 9782503515922
  • Publisher: Brepols Publishers
  • Publisher Imprint: Brepols Publishers
  • Language: French
  • Returnable: N
  • Weight: 700 gr
  • ISBN-10: 2503515924
  • Publisher Date: 31 Dec 2011
  • Binding: Paperback
  • No of Pages: 420
  • Series Title: Epitome Musical


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