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Enacting Nationhood: Identity, Ideology and the Theatre, 1855-99

Enacting Nationhood: Identity, Ideology and the Theatre, 1855-99

          
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About the Book

This is a collection of new essays opening introspective space for further exploration into constructions of We the People during the mid-to-late nineteenth century. It does so by interrogating intersections of pro-enslavement and anti-enslavement expressions of cultural nationalism, investigating assorted expressions of partisanship within dramatic literature and live performance (broadly defined), and by probing effects of armed conflict on notions of nation, theatre, performance, and other markers of communal identity. Enacting Nationhood is distinctive in that the essays collected here call into question many widely-held assumptions about the intricate theatrical past of the period under review. This said, the essays in this collection are certainly not to be taken as a comprehensive set of viewpoints. Rather, they are to be understood as an accompanying voice in a continuing discussion regarding an ever-shifting aesthetic contract between cultural nationalism and dramatic literature and live performance (broadly defined) from 1855 1899."
About the Author: Scott R. Irelan is Associate Professor and Chairperson of Theater and Dance at Youngstown State University. He received the 2007 Robert A. Schanke Award from the Mid-America Theatre Conference. His work has appeared in Modernism/Modernity, Shakespeare Bulletin, Journal of American Drama and Theatre, Theatre Annual, and Theatre History Studies, among others.


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Product Details
  • ISBN-13: 9781306875905
  • Publisher: Cambridge Scholars Publishing
  • Publisher Imprint: Cambridge Scholars Publishing
  • Language: English
  • Returnable: N
  • ISBN-10: 1306875900
  • Publisher Date: 01 Jan 2014
  • Binding: Digital (delivered electronically)
  • No of Pages: 170


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