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Dreischrittmodell Erwin Panofskys im Kontext der gegenwärtigen Philosophie des Bildes

Dreischrittmodell Erwin Panofskys im Kontext der gegenwärtigen Philosophie des Bildes

          
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About the Book

Studienarbeit aus dem Jahr 2008 im Fachbereich Medien / Kommunikation - Sonstiges, Note: 1,3, Martin-Luther-Universität Halle-Wittenberg (Institut für Medien, Kommunikation und Sport Dept. Medien- und Kommunikationswissenschaften), Veranstaltung: Medientheorie. Bilder lesen, Sprache: Deutsch, Abstract: "Bildbeschreibung ist ein Handwerk, das von jedem Menschen erlernt werden kann. Bildbeschreibung ist keine natürlich gegebene Fähigkeit, sondern ein komplexer Prozess, der bis zur Kunstfertigkeit gesteigert werden kann. Dabei ist die Bildbe schreibung kein Selbstzweck, sondern ein Schritt auf dem Weg zur Bildinterpretation. Der Kunsthistoriker und Begründer der Ikonologie, Erwin Panofsky (1892-1968), widmete bereits 1932 einen vielbeachteten und noch immer aktuellen Aufsatz dem Problem der Beschreibung und Inhaltsdeutung von Werken der bildenden Kunst" (Müller, 2003: S. 33) Folgt man der Auffassung Marion Müllers1 und sieht in der Bildbeschreibung einen komplexen Prozess, gar eine Kunstfertigkeit, so wird deutlich, warum es im Kontext der Bildforschung und Kunstgeschichte einen methodologisch intendierten Diskurs gibt. Nimmt man sich dieser Logik an (vgl. Zitat Müller) und geht davon aus, dass nicht nur das Bild selbst in einem künstlerischen Prozess geschaffen wurde, sondern auch die Interpretation des selbigen einem ähnlichen künstlerischen Schaffensprozess unterliegt, bleibt zu konstatieren, dass die "Richtigkeit" der Bildinterpretation sehr diskussionswürdig ist. Denn Kunstprodukte zeigen sich seit je her als höchst streitbare Objekte, ähnliches gilt folglich für die Sphäre der Interpretation von Kunst, wenn man sie selbst zu einer Form der Kunst erhebt. Diese Annahme wird eindrucksvoll durch die Fülle an themenbezogener Literatur bestätigt, die sich verschiedenster philosophischer Ansätze bedient und auch eigene wissenschaftliche Lager bildet. Der Kunsthistoriker Lambert Wiesing schreibt hierzu: "Über das genus proximum des Bildes gehen die Meinungen


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Product Details
  • ISBN-13: 9783640305421
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 3 mm
  • Width: 148 mm
  • ISBN-10: 3640305426
  • Publisher Date: 28 Apr 2009
  • Height: 210 mm
  • No of Pages: 56
  • Series Title: German
  • Weight: 86 gr


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