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Digitale Ästhetik und Interaktivität

Digitale Ästhetik und Interaktivität

          
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About the Book

Studienarbeit aus dem Jahr 2012 im Fachbereich Medien / Kommunikation - Sonstiges, Note: 1,7, Leuphana Universität Lüneburg (Digitale Medien), Veranstaltung: Digitale Ästhetik, Sprache: Deutsch, Abstract: Die "digitale Revolution" hat im Rahmen der Digitalisierung und des Metaprozesses der Mediatisierung in den letzten Jahrzehnten einen grundlegenden technischen als auch gesellschaftlichen Wandel hervorgerufen, der (fast) alle gesellschaftlichen Lebensbereiche durchdringt. Technische Evolutionen wie die Erfindung des Mikrochips und dessen ständiger Verbesserung, das Internet und die Breitbandverbindung schufen technische Grundlagen, aufgrund derer sich die Gesellschaft zu 'digitalisieren' schien und damit auch der kulturelle Teilbereich der Kunst. Die Konvergenz von digitaler Technik und Kunst schafft neue kulturelle Artefakte und neue Begriffe entstehen: "Medienkunst", "Virtual Reality", "Simulation", "Interaktivität", um nur einige von ihnen zu nennen. Analog und digital scheinen sich dabei auf den ersten Blick diametral entgegenzustehen und lösen Diskurse darum aus, ob es sich bei digitaler Kunst noch um 'echte' Kunst handelt oder es sich bei der digitalen Kunst um einen Prozess der Entmaterialisierung, der Auflösung der Autorenschaft oder etwas ähnlich 'mangel-haftem' handelt. Ausgangspunkt solcher Diskurse ist häufig die Anwendung tradierter kunsttheoretischen Überlegungen, die der digitalen Kunst durch ihre 'Andersartigkeit' zwangsläufig einen Mangel an irgendetwas bescheinigen mussten. Beispielhaft sei hier der kunsttheoretische Diskurs um die analoge und digitale Fotografie erwähnt, in der nur die analoge Fotografie "Fotografie" im eigentlichen Sinne sei, und digitale Fotografie keine Fotografie sei, da es ihr an einer 1:1 - Abbildung der Realität mangele - festgemacht an der Diskussion um Ikon und Index. Folgt man tradierten Theorien wie dieser letztgenannten, mangelt es der digitalen Kunst an vielen Orten an Eigenschaften, die nur der 'analogen' Kunst z


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Product Details
  • ISBN-13: 9783656217862
  • Publisher: Grin Verlag
  • Publisher Imprint: Grin Verlag
  • Height: 254 mm
  • No of Pages: 16
  • Series Title: German
  • Weight: 50 gr
  • ISBN-10: 3656217866
  • Publisher Date: 23 Jun 2012
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 1 mm
  • Width: 178 mm


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