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deutsche Heimatfilm von 1950 bis 1970: Eine Untersuchung des Wandels des Heimatbegriffes

deutsche Heimatfilm von 1950 bis 1970: Eine Untersuchung des Wandels des Heimatbegriffes

          
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About the Book

Studienarbeit aus dem Jahr 2009 im Fachbereich Filmwissenschaft, Note: 2,0, Pädagogische Hochschule Ludwigsburg (Fachbereich Kultur- und Naturwissenschaften), Sprache: Deutsch, Abstract: Denkt man an Heimatfilme, denkt man an Idylle, beeindruckenden Berglandschaften, Alpenglühen, Kuhglocken und kleine Dörfer. Man assoziiert seichte Handlungsstränge und imposante Naturaufnahmen von Schwarzwald, Heide und den Alpen. Geschichten um wahre Freundschaft und Liebe, Dirndl- und Zopftragende Mädchen, sowie Wilderer und Förster mit bayerischem oder österreichischem Dialekt. Deutschsprachige Heimatfilme sind Filme, die meist eine heile Welt darstellen. Es geht um Freundschaft Liebe Familie und um das Leben in der dörflichen Gemeinschaft. Die Handlung der Filme spielt meist in Bergen Österreichs Bayerns oder der Schweiz und ist klar und durchschaubar. Doch macht allein dies den Charakter der Gattung aus? Und warum war gerade der Heimatfilm beim deutschen Publikum einmal ein so extrem beliebtes und erfolgreiches Genre, das heute offiziell so konsequent abgelehnt wird? Es gibt wohl kaum jemanden, der von sich sagen kann, dass er nicht schon einmal zwischen unbedachtem Sarkasmus und verstecktem Wohlgefallen, die als trivial und banal verschrienen Heimatfilme angesehen hat. Für manch einen mag es nur schwer zu verstehen sein, wie dieses Genre in den Nachkriegsjahren einen solch großen Zuspruch beim Publikum erfahren konnte und diesen teilweise auch heute noch hat, denkt man nur an die konstant hohen Einschaltquoten auch bei wiederholter Ausstrahlung im Fernsehen. Der Heimatfilm gilt als die einzige genuine Genre-Hervorbringung des deutschen Films überhaupt - mit all seinen negativen Konnotationen: Deutschtum, Blut und Boden und Kitsch. Der Heimatfilm war für die Bundesdeutsche Nachkriegszeit das, was der Western für Amerika war, nämlich das Filmgenre par excellence. In der Zeit zwischen 1947 und 1960 machten Heimatfilme ca. ein Viertel aller Filme aus. Dagegen sind die kritis


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Product Details
  • ISBN-13: 9783640486663
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 2 mm
  • Weight: 50 gr
  • ISBN-10: 3640486668
  • Publisher Date: 05 Dec 2009
  • Height: 210 mm
  • No of Pages: 28
  • Series Title: German
  • Sub Title: Eine Untersuchung des Wandels des Heimatbegriffes
  • Width: 148 mm


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