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Dokumentarfilm im Wirkungsdreieck von Realität, Repräsentation und Rezeption

Dokumentarfilm im Wirkungsdreieck von Realität, Repräsentation und Rezeption

          
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About the Book

Studienarbeit aus dem Jahr 2001 im Fachbereich Amerikanistik - Kultur und Landeskunde, Note: gut, Universität Leipzig, Sprache: Deutsch, Abstract: Am Anfang der Untersuchung, inwieweit die drei Größen Realität, Repräsentation und Rezeption im Phänomen Dokumentarfilm eine Rolle spielen und diskutierbar sind, muss eine Definition dessen geliefert werden, was wir unter Dokumentarfilmen überhaupt erst verstehen. Nun könnte man zwar sagen, sie sind eben jene Filme, die Nicht-Fiktional sind, dennoch kann aber ein Gegenstand noch nicht dadurch gänzlich bestimmt werden, dass man sagt, was er nicht sei. Das geht genauso schlecht, also wollte man bestimmen, was grün sei, indem man sagt: grün ist nicht rot. Was grün nun eigentlich ist, muss bei einer solchen Definition unsicher bleiben. Auch scheint der Begriff des Nicht-Fiktionalen uns zuzuflüstern: "representation is pre-eminently fictional [and] fiction is always already there and must with effort be negated". (Ponech: 1) Wohl ist es auch so, dass "stets von der Marginalisierung des Dokumentarfilms gegenüber den dominanten, Sehgewohnheiten prägenden und Gattungserwartungen konstituierenden Genres des Spielfilms auszugehen" ist. (Hattendorf: 13/14) Dieser Weg der negativen Begriffsbestimmung ist also kein fruchtbarer, obwohl es schwer ist, von ihm abzuweichen. Dies ist vielleicht der Prozess der Emanzipation und der Abkopplung des Dokumentarfilmes als Genre von anderen Filmtypen und -kategorien. Der Dokumentarfilm als ein "'Nebenweg' der Filmgeschichte" (Hattendorf: 14) lässt sich auch aus sich selbst heraus definieren, so zeigt der Dokumentarfilm "bestimmte Ausschnitte der geschichtlichen oder gegenwärtigen Wirklichkeit" (Brockhaus: Bd. 5, S. 586) und zeichnet sich durch einen hohen Wirklichkeitsbezug aus: "the non-fiktion film is, by definition, one that must achieve or purport to achieve an utterly realist mode of representation" (Ponech: 6). Im Gegensatz zu Spielfilmen sind Dokumentarfilme durch die Präsentation von Fak


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Product Details
  • ISBN-13: 9783638866262
  • Publisher: Grin Publishing
  • Publisher Imprint: Grin Publishing
  • Height: 210 mm
  • No of Pages: 20
  • Series Title: German
  • Weight: 41 gr
  • ISBN-10: 3638866262
  • Publisher Date: 29 Nov 2007
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 1 mm
  • Width: 148 mm


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