The Death of the Lion is an 1894 short story by Henry James.
The narrator suggests writing an article on Neil Paraday an author; his new editor agrees. The former spends a week with Neil and writes the article whilst there, alongside reading Paraday's latest book. His editor rejects the article however; he decides to write an article for another newspaper, but it goes unnoticed. Neil Paraday gets excited about writing another book, despite the fact that he doesn't seem successful still. However the narrator comes across a praiseful review in The Empire.
Mr Morrow, a journalist suddenly interested in writing about Neil Paraday's life now that he is successful, comes round and ends up scaring the writer; the narrator manages to see him off. He tells Mr Morrow all there is to know about Paraday is in his work; the journalist is not amused. Later, he publishes an article on Neil's house in the Tatler. Embracing his fame, Paraday takes to going to London luncheons with women.
The narrator meets Miss Hurter, an American admirer of the writer's, in his house. As the writer is again busy with Mrs Wimbush, he explains to the girl that the best thing she can do is not to bother Paraday and only admire him from afar, so as not to interfere with his writings. Nevertheless, he keeps her autograph album to show it to him. Later, he meets with her to read passages from Paraday; once while they are at the opera he points Paraday out to her.
"The Figure in the Carpet" is a short story (sometimes considered a novella) by American writer Henry James first published in 1896. It is told in the first person; the narrator, whose name is never revealed, meets his favorite author and becomes obsessed with discovering the secret meaning or intention of all the author's works.
"The Figure in the Carpet" has evaded definitive interpretation. In his book Henry James (1913), Ford Madox Ford wrote that after it was published, James's contemporaries set themselves on a quest for the Figure as an identifiable physical entity. In the preface to his A Choice of Kipling's Verse (1941), T. S. Eliot wrote, "Nowadays, we all look for the Figure in the Carpet." It is possible that James's Figure is a palpable object that, like a talisman, facilitates interpretation of his own work.
The narrator, a writer for a literary newspaper, prides himself on his astute review of Hugh Vereker's latest novel. Vereker inadvertently dismisses his efforts, and then to repair his incivility, confides in the narrator that all critics have "missed my little point," "the particular thing I've written my books most for," "the thing for the critic to find," "my secret," "like a complex figure in a Persian carpet." The narrator racks his brains and, in desperation, tells his friend Corvick about the puzzle. Corvick and his novelist fiancée, Gwendolen, pursue "the trick" without success until Corvick, traveling alone in India, wires Gwendolen and the narrator "Eureka! Immense." He refuses to tell Gwendolen the secret until they are married, and then dies in an accident. Since Gwendolen refuses to share her knowledge, the narrator speculates, "the figure in the carpet [was] traceable or describable only for husbands and wives-for lovers supremely united." She remarries, and after her death, the narrator approaches her new husband to discover the secret. But the widowed husband is surprised and humiliated by the news of his late wife's great "secret," and he and the narrator conclude by sharing the same curiosity.
