Excerpt from Davenport Dunn a Man of Dur Day, Vol. 1 of 2

WE are at Como, on the lake - that spot so beloved of Opera dancers - the day-dream of prima donnas - the Ely sium of retired barytones And with what reason should this be the Paradise of all who have lived and sighed, and warbled and pirouetted, within the charmed circle of the footlights The crystal waters mirroring every cliff and crag with intense distinctness; the vegetation variegated to the very verge of extravagance; orange-trees overloaded with fruit; arbutus only too much bespangled with red berries; villas, more coquettish than ever scene-painter conceived, with vistas of rooms within, all redolent of luxury; terraces, and statues, and vases, and fountains, and marble balconies, steeped in a thousand balmy odours, make up a picture which well may fascinate those whose ideal OI beauty is formed of such gorgeous groupings. There is something of unreality in the brilliant colouring and variety of the scene suggesting the notion, that at any moment the tenor may emerge, velvet mantle and all, from the copse before you or a prima donna, in all the dishevelment of her back hair, rush madly to your feet. There is not a portal from which an angry father may not issue; not a shady walk that might not be trod by an incensed basso l vol. I.

Opposite shore, a dim and mysterious shadow wraps every object, faint outlines of tower and palace loom through the darkness, anda strange hazy depth encloses the whole scene. Such is the stillness, however, that the opening of a casement, or the plash of a stone in the water, is heard across the lake, and voices come from the mysterious gloom with an effect almost preternaturally striking.

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