Not the dark companion of Sirius, brightest of all stars-not our own chill and spectral planet rushing toward Vega in the constellation of Lyra-presided at the birth of millions born to corroborate a bloody horoscope. But a Dark Star, speeding unseen through space, known to the ancients, by them called Erlik, after the Prince of Darkness, ruled at the birth of those myriad souls destined to be engulfed in the earthquake of the ages, or flung by it out of the ordered pathway of their lives into strange byways, stranger highways-into deeps and deserts never dreamed of. Also one of the dozen odd temporary stars on record blazed up on that day, flared for a month or two, dwindled to a cinder, and went out. But the Dark Star Erlik, terribly immortal, sped on through space to complete a two-hundred-thousand-year circuit of the heavens, and begin anew an immemorial journey by the will of the Most High. What spectroscope is to horoscope, destiny is to chance. The black star Erlik rushed through interstellar darkness unseen; those born under its violent augury squalled in their cradles, or, thumb in mouth, slumbered the dreamless slumber of the newly born. One of these, a tiny girl baby, fussed and fidgeted in her mother's arms, tortured by prickly heat when the hot winds blew through Trebizond. Overhead vultures circled; a stein-adler, cleaving the blue, looked down where the surf made a thin white line along the coast, then set his lofty course for China. Thousands of miles to the westward, a little boy of eight gazed out across the ruffled waters of the mill pond at Neeland's Mills, and wondered whether the ocean might not look that way. And, wondering, with the salt sea effervescence working in his inland-born body, he fitted a cork to his fishing line and flung the baited hook far out across the ripples. Then he seated himself on the parapet of the stone bridge and waited for monsters of the deep to come. *** And again, off Seraglio Point, men were rowing in a boat; and a corded sack lay in the stern, horridly and limply heavy. There was also a box lying in the boat, oddly bound and clamped with metal which glistened like silver under the Eastern stars when the waves of the Bosporus dashed high, and the flying scud rained down on box and sack and the red-capped rowers. *** In Petrograd a little girl of twelve was learning to eat other things than sour milk and cheese; learning to ride otherwise than like a demon on a Cossack saddle; learning deportment, too, and languages, and social graces and the fine arts. And, most thoroughly of all, the little girl was learning how deathless should be her hatred for the Turkish Empire and all its works; and how only less perfect than our Lord in Paradise was the Czar on his throne amid that earthly paradise known as "All the Russias." Her little brother was learning these things, too, in the Corps of Officers. Also he was already proficient on the balalaika. Robert William Chambers was an American artist and fiction writer. His first novel, In the Quarter was published in 1887 but his most famous, and perhaps most meritorious, effort is The King in Yellow, a collection of Art Nouveau short stories. E. F. Bleiler describes it as one of the most important works of American supernatural fiction.It was also strongly admired by H.P. Lovecraft and his circle. Chambers returned to the weird genre in his later short story collections The Maker of Moons, The Mystery of Choice and The Tree of Heaven, but none earned him as much success as The King in Yellow. Some of Chambers's work contains elements of science fiction, such as In Search of the Unknown and Police!!!, about a zoologist who encounters monsters. Chambers later turned to writing romantic fiction to earn a living and according to some estimates, had one of the most successful literary careers of his period, his later novels selling well and a handful achieving best-seller status.