About the Book
Confronting American Fascism is a fifteen-year chronicle of lost opportunities amidst the plethora of crisis situations that neoliberalism thrives on; in probing what was missed and when and why, the reader can perceive an explanation for our present predicament, when a genuine democratic socialist was maneuvered out of a nomination that was rightfully his and a neoliberal avatar suffered a predictable catastrophic defeat at the hands of an authoritarian populist shading over into fascism. In this book there are many glimpses of how we moved from a fascism that was seeking constitutional cover in the Bush years to one that no longer requires such plausibility. This book charts the decline of our democracy, moment to moment during these historic last fifteen years, as the pace of change accelerated to the disadvantage of everyone but the elite, and many people who used to have a tentative hold on opportunity found themselves left out-all this amidst escalation of rhetorical obeisance to the cultural dignity of marginalized others. Extreme inequality is new for us, and this book seeks to explain the stages in its creation, ending in a radical cynicism that leaves little room for democratic optimism. The underlying tendency ought to be toward an anarchic/Marxist form of highly diffused liberalism, because scarcity should already be a thing of the past, but the abstraction that is capital today is making this natural movement forward impossible. This book suggests that there has been a continuous economic crisis for the last fifteen years, going along with the continuous political crisis. The acute form of the crisis in 2007-2011 was not resolved in any helpful way; instead, the norms that had created this overt rupture were further established as permanent policy. Renewed commitment to neoliberal principles has all but guaranteed further instability in the future. In the cultural realm, politically correct discourse does not engage in constitutional confirmation of every person's legal rights but diminishes opposition to the reigning philosophy by conceptualizing each group as a discrete unit without reference to others. To the extent that the ideal of global cosmopolitanism has vanished, we now share a much more negative view of globalization, whose evolution this book traces; the ceaseless crises we have faced in the last decade and a half erode cosmopolitanism in any of its forms, and leave us all fragmented, scattered, impotent consumers lacking full bearings. Unlike a book composed at a static moment, this book unfolds over a substantial period of time, responding to each crucial event in turn, so that the reader can see the evolution of our public responses, the slow shift in reassessments of our common ideologies. All the principles the Bush regime established remain fundamentally unquestioned, and we do not anymore, as a culture, have the power to resist this force, because of the slow death of liberal/humanist intellectual perception. The essays in this book are jolting, as we experience again the shock that we felt as we witnessed events unfolding against the norms Americans have been trained to expect. Confronting American Fascism shows how the growing disconnect between the elite and the people prevents functioning along a trajectory of reality and truth; problems offer their own eminent solutions, yet nobody is interested in taking them up. Neoliberalism, this book shows, has recently been on a path to regroup, strengthen, and reorganize under the banner of populism, while there has been no renewed social contract on behalf of equality, employment, economic justice-or even basic dignity. It is easy to lose the thread of the larger story that has been developing since the turn of the millennium; the author of this book never got over his initial shock, and thought it best to tell our collective story by preserving that impact.
About the Author: Anis Shivani is a fiction writer, poet, literary critic, and political analyst living in Houston, Texas. His critically acclaimed books include Anatolia and Other Stories, The Fifth Lash and Other Stories, Karachi Raj: A Novel, A History of the Cat in Nine Chapters or Less, My Tranquil War and Other Poems, Whatever Speaks on Behalf of Hashish: Poems, Soraya: Sonnets, Against the Workshop: Provocations, Polemics, Controversies, The Moon Blooms in Occupied Hours: Poems, A History of the Cat in Nine Chapters or Less, and Literary Writing in the Twenty-First Century: Conversations. His work appears widely in such journals as the Yale Review, Georgia Review, Southwest Review, Boston Review, Threepenny Review, Michigan Quarterly Review, Antioch Review, Black Warrior Review, Western Humanities Review, Boulevard, Pleiades, AGNI, Fence, Denver Quarterly, Volt, Subtropics, New Letters, Times Literary Supplement, London Magazine, Cambridge Quarterly, Contemporary Review, Meanjin, Fiddlehead, Dalhousie Review, Antigonish Review, and elsewhere. He has also written for many magazines and newspapers including Salon, Daily Beast, AlterNet, CommonDreams, Counterpunch, Truthout, Huffington Post, Texas Observer, In These Times, Boston Globe, San Francisco Chronicle, Kansas City Star, Pittsburgh Post-Gazette, Baltimore Sun, Charlotte Observer, Austin American-Statesman, and elsewhere. He is the winner of a Pushcart Prize, and a graduate of Harvard College.