The Beast in the Jungle is a 1903 novella by Henry James, first published as part of the collection, The Better Sort. Almost universally considered one of James' finest short narratives, this story treats appropriately universal themes: loneliness, fate, love and death. The parable of John Marcher and his peculiar destiny has spoken to many readers who have speculated on the worth and meaning of human life.
John Marcher, the protagonist, is reacquainted with May Bartram, a woman he knew ten years earlier while living in southern Italy, who remembers his odd secret: Marcher is seized with the belief that his life is to be defined by some catastrophic or spectacular event, lying in wait for him like a "beast in the jungle". May decides to buy a house in London with the money she inherited from a great aunt, and to spend her days with Marcher, curiously awaiting what fate has in store for him. Marcher is a hopeless fatalist, who believes that he is precluded from marrying so that he does not subject his wife to his "spectacular fate".
He takes May to the theater and invites her to an occasional dinner, but does not allow her to get close to him. As he sits idly by and allows the best years of his life to pass, he takes May down as well, until the denouement where he learns that the great misfortune of his life was to throw it away, and to ignore the love of a good woman, based upon his preposterous sense of foreboding.
"The Birthplace" is a short story by Henry James, first published in his collection The Better Sort in 1903. A witty satire on the excesses of bardolatry, the story reflects James's skepticism about the authorship of Shakespeare's plays. Beyond the narrow scholarly issue, the story also shows a typically imaginative Jamesian protagonist inventing an alternative reality in his lecture on the Bard's supposed childhood activities.
Morris Gedge is a librarian at a dull provincial library in England that is "all granite, fog and female fiction." He gets a welcome offer to become the custodian of the Shakespeare house at Stratford-on-Avon. Although Shakespeare's name is never mentioned in the story (James used the name twice in his Notebooks when he was planning the tale) it's obvious to whom "the supreme Mecca of the English-speaking race" is devoted.
Once installed as the custodian, Morris begins to doubt the chatter he is forced to give to tourists who visit the home. He starts to qualify and hesitate in his spiel. This brings anguish to his wife and a warning from the shrine's proprietors. Gedge finally decides that if silliness is what's wanted, he'll supply it abundantly. The last section of the story shows him delivering a hilarious lecture on how the child Shakespeare played around the house. Of course, receipts from tourists increase and Gedge gets a raise.
