Wiltstoken Castle was a square building with circular bastions at the corners, each bastion terminating skyward in a Turkish minaret. The southwest face was the front, and was pierced by a Moorish arch fitted with glass doors, which could be secured on occasion by gates of fantastically hammered iron. The arch was enshrined by a Palladian portico, which rose to the roof, and was surmounted by an open pediment, in the cleft of which stood a black-marble figure of an Egyptian, erect, and gazing steadfastly at the midday sun. On the ground beneath was an Italian terrace with two great stone elephants at the ends of the balustrade. The windows on the upper story were, like the entrance, Moorish; but the principal ones below were square bays, mullioned. The castle was considered grand by the illiterate; but architects and readers of books on architecture condemned it as a nondescript mixture of styles in the worst possible taste. It stood on an eminence surrounded by hilly woodland, thirty acres of which were enclosed as Wiltstoken Park. Half a mile south was the little town of Wiltstoken, accessible by rail from London in about two hours.Most of the inhabitants of Wiltstoken were Conservatives. They stood in awe of the castle; and some of them would at any time have cut half a dozen of their oldest friends to obtain an invitation to dinner, or oven a bow in public, from Miss Lydia Carew, its orphan mistress. This Miss Carew was a remarkable person. She had inherited the castle and park from her aunt, who had considered her niece's large fortune in railways and mines incomplete without land. So many other legacies had Lydia received from kinsfolk who hated poor relations, that she was now, in her twenty-fifth year, the independent possessor of an annual income equal to the year's earnings of five hundred workmen, and under no external compulsion to do anything in return for it. In addition to the advantage of being a single woman in unusually easy circumstances, she enjoyed a reputation for vast learning and exquisite culture. It was said in Wiltstoken that she knew forty-eight living languages and all dead ones; could play on every known musical instrument; was an accomplished painter, and had written poetry. All this might as well have been true as far as the Wiltstokeners were concerned, since she knew more than they. She had spent her life travelling with her father, a man of active mind and bad digestion, with a taste for sociology, science in general, and the fine arts. On these subjects he had written books, by which he had earned a considerable reputation as a critic and philosopher. They were the outcome of much reading, observation of men and cities, sight-seeing, and theatre-going, of which his daughter had done her share, and indeed, as she grew more competent and he weaker and older, more than her share. He had had to combine health-hunting with pleasure-seeking; and, being very irritable and fastidious, had schooled her in self-control and endurance by harder lessons than those which had made her acquainted with the works of Greek and German philosophers long before she understood the English into which she translated them.