Tuned to the rhythms of the soap operas that air on Thai television each night and written with the consuming intensity of a fever dream, this novel opens an insightful and truly compelling window into the Thai heart.
This is a melodrama about a ship-wrecked relationship.
Set in Thailand and traveling loosely over the 1980s and '90s, with mention of a political incident in 2010, this sad and beautiful book begins on the day Chareeya is born, the same day her mother discovers her father having an affair with a traditional Thai dancer. From that moment on, Chareeya's life is bound to the weight of her parents' disappointments.
She and her sister Chalika grow up in a lush, tranquil riverside town near the Thai capital of Bangkok, captivated by romance novels, classical music and games of make-believe. As children, the two develop a friendship with an orphaned boy, Pran. Over time these childhood friends find themselves lost between unrequited desires and fantastical dreams that are realer than their everyday lives. The culmination of the story comes as neither Chareeya, Chalika, nor Pran can exit safely from the intertwined labyrinth of their fates.
The author's lyrical prose is enchanting: the book is filled with the colors, sounds and fragrances of Thailand. Her language has a hazy cinematic effect as characters maneuver through magical remembrances of events gone by, often failing to confront the problems in front of them.
Dangerous and irresistible, the story can be read either as a nod to old-fashioned Thai romances, or as a sophisticated, literary upgrade of the soap opera drama, or as a bitter commentary on the myths, smokescreens and delusions that seem to have disoriented the Thai people with many years' heartbreak in attendance.
The Blind Earthworm in the Labyrinth won the 2015 S.E.A. Award, Southeast Asia's most prestigious literary prize. It is now masterfully translated into English by Kong Rithdee, film critic and award-winning author in her own right.
