Aliqa's mind has been erased, every memory lost to the endless reticulations of the branes, but for one single word that haunts her- Temetry.
With it comes an abiding hope for salvation, perhaps for the salvation of every single Bell in Subsidence's ancient fleet, but first she must hunt it down, though she doesn't even know what it is.
The Bells of Subsidence tells 9 science fiction short stories that chart the untamed outer fringe of existence, filled with ruined intergalactic civilizations, lonely globe-roaming robots, and a memetic virus locked that could destroy all things.
It features 4 stories previously published in professional magazines: Clarkesworld, Andromeda Spaceways, Quantum Muse, and Apocalypse Fiction.
Includes:
1) The Bells of Subsidence
2) Angel, I
3) The Giant Robot and the Myna Bird
4) Route 66
5) C22
6) Cullsman #9
7) Hunting Ground
8) The Blue Chipset and the Thing
9) Universal Time
Praise:
- "... the images are striking and euphonious, ... and the story is moving." - Lois Tilton, Locus Mag
- "... beautifully written ... satisfying ... atmospheric ... emotional ..." - Goodreads reviews
About the Author:
Michael John Grist is a 33-year old British writer, teacher, and ruins photographer who lives in Tokyo, Japan. He runs a website featuring his stories and photographs of ruin exploration- www.michaeljohngrist.com
Excerpt:
The Bell is coming.
It's night, and I'm lying beside Temetry on a cold grey crater of this world's endless desert, listening to the oscillations of the Bell. At times we glimpse its Brilliance, the after-image of its long and branic toll splashing across the plush black firmament like an endless corolla borealis. I imagine it far overhead, arcing through the universe, plancking the anthropic landscape from yoke to clapper, and can think of only one word to describe it.
"Godly," I whisper.
Temetry nods by my side. He doesn't speak, not since the last Bells came when we were babies, but I know what he's thinking. I'm thinking it also.
"How are your non-orientable insects?" I ask.
He shrugs. This shrug means he's had no breakthroughs. I know it, because he'd not be here with me if he had. The men of this world would have taken him for the Gideon heat-sink long ago.
"I won't forget you," I say to him quietly.
He turns to me, and smiles, because he knows I cannot keep that promise. The Bell is coming tonight. His hand worms the grey sand, folds my fingers within his own, and I remember that he is the most beautiful thing I have.
"I love you," I whisper to him. His fingers tighten, rippling over mine in Euclidean gymnastics, until our hands are joined partway between a reticulated conch shell and an intersecting Klein bottle.
I laugh. It is our joke, a vestige of what Subsidence has brought us both. We are only 11, and I love him, because I know in my heart that he will never forget me.
"I'll whisper your name to the branes until I die," I promise him, feeling the urgency of this moment, alone in this crater for the last time.
His smile turns sad. It is the last abiding image I have of him, because then comes the sound of old Ingen, and the moment is lost. She is huffing and panting her rooty head over the crater-lip. This place is no longer special or secret. Temetry's dazzling smile is sad, forever, because I'll never see him again.
About the Author: Michael John Grist is a British science-fiction & fantasy author, and ruins photographer who lives in Tokyo, Japan. http: //www.michaeljohngrist.com - His short stories have been published in Clarkesworld, Beneath Ceaseless Skies, Andromeda Spaceways, Ideomancer, Kaleidotrope, as well as in numerous other publications. He typically writes heroic science fiction and epic fantasy with a dark, surreal humor. He also explores and photographs the modern ruined buildings of Japan, known as haikyo (AKA urbex), driven by a childhood spent re-enacting the adventures of Indiana Jones and the Goonies in the fields behind his house. Now that he's grown up, this kind of 'exploring' may seem a bit of a silly thing to do (as one friend pointed out- 'they're just dirty old buildings'), but the appeal of photography, travel, and yes, still adventure, keep him coming back for more. Some of the 70 or so locations he's visited include abandoned theme parks, military installations, ruins of the sex industry, and ghost towns. - He has contributed haikyo articles and photography to books, web magazines, encyclopedias, print magazines, and is featured in the award-winning haikyo documentary movie Silent Visitors. Michael was born in Manchester, England, to an American mother and British father. He was raised in Bolton, where as a kid he wrote snippets of fantasy stories and explored the horse's field behind his house. Nothing much has changed since then, except the snippets became full stories and the horse's field got a whole lot bigger. In his childhood summers he visited his family in Kentucky, where he learnt how to make s'mores, enjoyed night-time hay-rides, and worked in his uncle's bike shop. In his late teens he worked at a summer camp for disadvantaged kids in Massachusetts, and after graduating high school in the UK he went (glutton for punishment, yes) to high school again, in Indiana, on an exchange program for two semesters. It was there that he first took creative writing classes, and started work on his first novel (which is now maturing on his hard drive like a fine wine). He also took a Greyhound trip around the country (six days and nights on a bus), which reinforced his thirst for exploration. Now he enjoys the odd game of squash and badminton, working out in the gym, going to ruins, and of course writing stories and novels. He lives in a central Tokyo apartment with his wife and their pet King Frog, and works as an English lecturer at university.
