In the playhouses of France, a hammering on the stage alone heralds the rising of the curtain to disclose illusory realms of romance. Precisely so with Mr. Staff, upon the door of whose lodging, at nine o'clock the next morning, a knocking announced the first overt move against his peace of mind. At that time, Staff, all unconscious of his honourable peril, was standing in the middle of the floor of the inner room (his lodgings comprised two) and likewise in the approximate geographical centre of a chaotic assemblage of assorted wearing apparel and other personal impedimenta. He was wondering, confusedly, how in thunderation he was to manage to cram all that confounded truck into the limited amount of trunk space at his command. He was also wondering, resentfully in the names of a dozen familiar spirits, where he had put his pipe: it's simply maddening, the way a fellow's pipe will persist in getting lost at such critical times as when he's packing up to catch a train with not a minute to spare.... In short, so preoccupied was Staff that the knocking had to be repeated before he became objectively alive to it. Then, confidentially, he said: "What the devil now?" In louder tones calculated to convey an impression of intense impatience, he cried: "Come in!" He heard the outer door open, and immediately, upon an impulse esoteric even in his own understanding, he chose to pretend to be extravagantly busy-as busy as by rights he should have been. For a minute or longer he acted most vividly the part of a man madly bent on catching his train though he were to perish of the attempt. And this despite a suspicion that he played to a limited audience of one, and that one unappreciative of the finer phases of everyday histrionic impersonation: an audience answering to the name of Milly, whose lowly station of life was that of housemaid-in-lodgings and whose imagination was as ill-nourished and sluggish as might be expected of one whose wages were two-and-six a week. Remembering this in time, the novelty of make-believe palled on Staff. Not that alone, but he could hear Milly insisting in accents not in the least apologetic: "Beg pardon, sir ..." He paused in well-feigned surprise and looked enquiringly over his shoulder, as though to verify a surmise that somebody had spoken. Such proving to be the case, he turned round to confront Milly-Milly true to type, wearing a grimy matutinal apron, an expression half sleepy, half sullen, and a horrid soot smudge on her ripe, red, right cheek.