The Awkward Age by Henry James. The Awkward Age is a novel by Henry James, first published as a serial in Harpers Weekly in 1898-1899 and then as a book later in 1899. Originally conceived as a brief, light story about the complications created in her familys social set by a young girl coming of age, the novel expanded into a general treatment of decadence and corruption in English fin de siecle life. James presents the novel almost entirely in dialogue, an experiment that adds to the immediacy of the scenes but also creates serious ambiguities about characters and their motives. Mr. and Mrs. Edward Brookenham host an effete, rather corrupt social circle. They are the parents of worthless Harold and sweet but knowledgeable Nanda (age eighteen). Mr. Longdon attends one of their social functions and is amazed at how much Nanda resembles her grandmother, his long-ago love who married another man. Vanderbank, a young civil servant with little money, admires both Mrs. Brookenham (nicknamed Mrs. Brook) and Nanda. Mrs. Brook seems to want an affair with Van but he appears more interested in Nanda. Mr. Longdon promises him a dowry if he marries Nanda. Mrs. Brook is instead trying to get her daughter married to Mitchy, a very rich but rather naive member of her social circle. But Nanda urges Mitchy to marry Aggie, the supposedly sheltered step-niece of one of Mrs. Brooks friends (the Duchess). Mitchy follows the advice, then watches helplessly as Aggie kicks over the traces and starts playing around on him. Van constantly hesitates about proposing to Nanda. She finally tells him and Mitchy to be kind to her mother, then prepares to stay at Mr. Longdons country home as a kind of surrogate daughter. I recall with perfect ease the idea in which The Awkward Age had its origin, but re-perusal gives me pause in respect to naming it. This composition, as it stands, makes, to my vision - and will have made perhaps still more to that of its readers - so considerable a mass beside the germ sunk in it and still possibly distinguishable, that I am half-moved to leave my small secret undivulged. I shall encounter, I think, in the course of this copious commentary, no better example, and none on behalf of which I shall venture to invite more interest, of the quite incalculable tendency of a mere grain of subject-matter to expand and develop and cover the ground when conditions happen to favour it. I say all, surely, when I speak of the thing as planned, in perfect good faith, for brevity, for levity, for simplicity, for jocosity, in fine, and for an accommodating irony. I invoked, for my protection, the spirit of the lightest comedy, but The Awkward Age was to belong, in the event, to a group of productions, here re-introduced, which have in common, to their authors eyes, the endearing sign that they asserted in each case an unforeseen principle of growth. They were projected as small things, yet had finally to be provided for as comparative monsters. That is my own title for them, though I should perhaps resent it if applied by another critic - above all in the case of the piece before us, the careful measure of which I have just freshly taken. The result of this consideration has been in the first place to render sharp for me again the interest of the whole process thus illustrated, and in the second quite to place me on unexpectedly good terms with the work itself.

About the Author

Henry James, OM (15 April 1843 - 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. James alternated between America and Europe for the first 20 years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from the point of view of a character within a tale allows him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting.