Arts and Crafts in the Middle Ages A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance Julia de Wolf Gibbs Addison The very general and keen interest in the revival of arts and crafts in America is a sign full of promise and pleasure to those who are working among the so-called minor arts. One reads at every turn how greatly Ruskin and Morris have influenced handicraft: how much these men and their co-workers have modified the appearance of our streets and houses, our materials, textiles, utensils, and all other useful things in which it is possible to shock or to please the æsthetic taste, without otherwise affecting the value of these articles for their destined purposes. In this connection it is interesting to look into the past, particularly to those centuries known as the Middle Ages, in which the handicrafts flourished in special perfection, and to see for ourselves how these crafts were pursued, and exactly what these arts really were. Many people talk learnedly of the delightful revival of the arts and crafts without having a very definite idea of the original processes which are being restored to popular favour. William Morris himself, although a great modern spirit, and reformer, felt the Page vi necessity of a basis of historic knowledge in all workers. "I do not think," he says, "that any man but one of the highest genius could do anything in these days without much study of ancient art, and even he would be much hindered if he lacked it." It is but turning to the original sources, then, to examine the progress of mediæval artistic crafts, and those sources are usually to be found preserved for our edification in enormous volumes of plates, inaccessible to most readers, and seldom with the kind of information which the average person would enjoy. There are very few books dealing with the arts and crafts of the olden time, which are adapted to inform those who have no intention of practising such arts, and yet who wish to understand and appreciate the examples which they see in numerous museums or exhibitions, and in travelling abroad. There are many of the arts and crafts which come under the daily observation of the tourist, which make no impression upon him and have no message for him, simply because he has never considered the subject of their origin and construction. After one has once studied the subject of historic carving, metal work, embroidery, tapestry, or illumination, one can never fail to look upon these things with intelligent interest and vastly increased pleasure. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.