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Aristoteles' Poetik: Für Spannungs-Autoren

Aristoteles' Poetik: Für Spannungs-Autoren

          
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About the Book

Die Geheimnisse mitreißenden Erzählens sind seit über 2.000 Jahren dieselben. Wer sie entdeckt, bezwingt jedes Publikum.

Diese einmalige Schatzkarte für Unterhaltungsschriftsteller in spannenden Genres und Drehbuchautoren führt zum Ur-Quell abendländischer Erzählkunst, von dem alle Fachbücher seitdem Kopien sind. Dafür werden die entscheidenden Stellen der Poetik in Überschriften zusammengefasst, durch geklammerte Einschübe und anschließende Kurz-Deutungen erläutert.


Zugänglich und fruchtbar gemacht werden folgende Sätze

Handlung ist nicht Rede, sondern Tun

Die Geschlossenheit einer Handlung

Künstlerische Nachahmung wiederholt nichts Hervorgebrachtes, sondern das Hervorbringen - von Ausgeburten voller Anmut des Wahren.

Die Handlung einer Geschichte ist wichtiger als ihre Mannschaft

Bessere Handlungen sind eingleisig

Ihre Handlung ist der Sinn einer Geschichte

Zweck einer Geschichte: ihre Handlung

Eine gute Handlung ist organisch

Die Genres des Aristoteles

Das Epos unterscheidet sich von der Tragödie

Logik des Horrorfilms

Der Schwerpunkt einer Handlung: etwas Schreckliches, das dem Helden zustößt oder unmittelbar von ihm verursacht wird

Was das Publikum erleben möchte

Mag der Zuschauer sich auch nicht allzeit in die dargestellten Verhältnisse einer Geschichte finden ‒ immer vertraut und mitreißend sind für ihn Machtfragen.

Richtige Länge

Bewirkung des Gegenteils des Beabsichtigten

(K)eine Überraschung

Wenn Zufälliges auf die Vorgeschichte beschränkt bleibt, wird seine dramatische Wirkung nicht beirren, sondern beeindrucken.

Die Ursachen des Höhepunktes dürfen nicht unsichtbar sein.

Charaktere sind Handlungsmuster.

Mit aufgerührten Gefühlen gehen auch andere seelische Lasten ab.

Handlungen deuten Ideen

Die wirkungsvollste Beschaffenheit der Hauptfigur

Jammer, Schaudern und Reinigung entspringen nicht neuen, unerhörten Tatsachen, sondern der Aktualisierung von etwas, dessen man bereits innehat.

Der sittlich mittlere Charakter

Charaktere schaffen die innere Beteiligung an einer Geschichte.

Im Geschehen enthaltene Betrachter, die uns die Vergangenheit erklären, die Gegenwart bewerten oder Zukunft voraussagen, steigern das Wahrnehmungserlebnis der Zuschauer, wenn sie zur Handlung gehören.

Was Charaktere lebendig macht

Dialog ist besser Teil der Handlung.

Wenn Exposé oder Zusammenfassung einen nicht packen, werden es weder das Drehbuch noch der Film danach tun.

Daher ist die Dichtkunst Sache fantasiebegabter und leidenschaftlicher Naturen.

Dramatik wächst nicht mit immer neuen Überraschungen, sondern "musikalisch" durch Abwandlung desselben Themas.

Die undurchsichtigste Geschichte nimmt einen gefangen in dem Maße, in dem sie einmal wirklich geschehen ist.

Warum Menschen sich im Gegensatz zu Tieren (am liebsten schaurige) Geschichten erzählen.

Was jämmerlich-schauderhaft aussieht, aber nicht weh tut, ist komisch.

Was Aristoteles nur mittelbar anspricht

Zusammenfassende Deutung

Wesen der Tragödie


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Product Details
  • ISBN-13: 9781500985059
  • Publisher: Createspace Independent Publishing Platform
  • Publisher Imprint: Createspace Independent Publishing Platform
  • Height: 229 mm
  • No of Pages: 86
  • Series Title: German
  • Sub Title: Für Spannungs-Autoren
  • Width: 152 mm
  • ISBN-10: 1500985058
  • Publisher Date: 28 Aug 2014
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 5 mm
  • Weight: 136 gr


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