Home > Art & Photography > The arts: general issues > Theory of art > Ancient Japanese and Chinese Brocades, Japanese Color Prints: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from the Hayashi Collection) (Classic Repr: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from
Ancient Japanese and Chinese Brocades, Japanese Color Prints: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from the Hayashi Collection) (Classic Repr: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from

Ancient Japanese and Chinese Brocades, Japanese Color Prints: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from the Hayashi Collection) (Classic Repr: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from

          
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About the Book

Excerpt from Ancient Japanese and Chinese Brocades, Japanese Color Prints: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries From 1400 to 1812, Rare Prints in Early Impressions (Some From the Hayashi Collection)

Kesa signifies the ceremonial robe of a Buddhist Priest. It is usually formed of forty-eight pieces, and the strips are arranged in the form of a rice field, symbolical with the growing of the seed of benevolence among mankind. Tradition has it that Buddha wore only cast-off rugs, and this explains the fact that the Kesa is made of small pieces sewed together. In Japan, where Buddhism was understood in its highest sense, an elaborate ritual was developed. Rich brocades and embroideries were eagerly sought after for Kesa and Altar Cloths. Indeed, we owe the preservation of many of the wonderful brocades of early Chinese and Japanese produc tion to the fact that the costly material was reduced in value by cutting up and making into the Kesa and Ohi (or one-strip Kesa of the Jodo and Shinshu sects). Had they been kept complete in Width and length as woven they would have been used in various luxurious purposes and entirely lost to us.

The Ohi is a narrow strip worn in connection with the Kesa. It is passed over the left shoulder across the breast and under the right arm, signifying adoration of Buddha's preaching, uncovering the right shoulder.

The present collection has occupied the attention of Mr. Nomura for the past fifteen years. It is believed to be one of the best collections of. Ancient textile weaving ever brought to this country, illustrating the historical development and varieties of weave and design.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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Product Details
  • ISBN-13: 9781332900626
  • Publisher: Forgotten Books
  • Publisher Imprint: Forgotten Books
  • Height: 225 mm
  • No of Pages: 40
  • Series Title: English
  • Weight: 77 gr
  • ISBN-10: 1332900623
  • Publisher Date: 23 Apr 2018
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Spine Width: 2 mm
  • Width: 150 mm


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Ancient Japanese and Chinese Brocades, Japanese Color Prints: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from the Hayashi Collection) (Classic Repr: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from
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Ancient Japanese and Chinese Brocades, Japanese Color Prints: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from the Hayashi Collection) (Classic Repr: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from
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Ancient Japanese and Chinese Brocades, Japanese Color Prints: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from the Hayashi Collection) (Classic Repr: The Collection of Shojiro Nomura of Kioto, Nishiki and Kinran Brocades and Tapestries from 1400 to 1812, Rare Prints in Early Impressions (Some from

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