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Als Fellini die Tür zum Neorealismus verschloss und das Fenster zum magischen Realismus öffnete. La Dolce Vita

Als Fellini die Tür zum Neorealismus verschloss und das Fenster zum magischen Realismus öffnete. La Dolce Vita

          
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About the Book

Studienarbeit aus dem Jahr 2014 im Fachbereich Filmwissenschaft, Note: 1,3, Freie Universität Berlin (Seminar für Filmwissenschaft), Veranstaltung: Aufbaumodul Filmästhetik und Kunst-/ Medientheorie (PS 17 613), Sprache: Deutsch, Abstract: "La Dolce Vita" (1960) ist Federico Fellinis siebter Kinofilm, der im Februar 1960 Weltpremiere hatte und sogleich eine Welle der Empörung auslöste. Die Presse und die katholische Kirche meldeten sich als erstes entrüstet zu Wort, denn Fellinis Schilderung der dekadenten Schönen und Reichen Roms wurde von vielen als skandalös angesehen. Der Vatikan hätte Fellini beinahe exkommuniziert, selbst die eigene Mutter konnte nicht nachvollziehen, weshalb ihr Federico einen solchen Film gedreht hatte. Diese mediale Resonanz sorgte für eine maximale Aufmerksamkeit, die den Film sehr schnell zu einem Erfolg werden lies. Über Jahrzehnte hielt "La Dolce Vita" die europäischen Einspielrekorde und hatte auf die italienische und europäische Gesellschaft einen ähnlichen Einfluss, wie es in den USA "Gone with the Wind" (1939) oder "The Godfather" (1972) hatten. So schuf der Film gleich zwei neue Wortschöpfungen, die heute in den normalen Sprachgebrauch übergegangen sind. Zum Einen das Wort Paparazzi, zum Anderen den Ausdruck "La dolce Vita", der fortan in aller Welt einen Zustand beschrieb, welcher eigentlich kein süßes Leben kennzeichnete, sondern ein bittersüßes und dekadentes Lebensgefühl. Doch wie genau lässt sich "La Dolce Vita" in Fellinis Gesamtwerk einordnen? Für einige Filmhistoriker endete mit dem Film eine Schaffensphase Fellinis, die dann mit "Otto e mezzo" (1963) eine ganz neue Wendung nahm. Für andere ist bereits La Dolce Vita der Beginn einer neuen Ära in Fellinis Werk. Zu erklären sind diese unterschiedlichen Auffassungen vor allen Dingen damit, dass man den Film unterschiedlich lesen kann. In dieser Arbeit soll zunächst aufgezeigt werden, wie Filmhistoriker und -wissenschaftler "La Dolce Vita" sowohl filmhistorisch als a


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Product Details
  • ISBN-13: 9783656892939
  • Publisher: Grin Verlag Gmbh
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 2 mm
  • Width: 148 mm
  • ISBN-10: 3656892938
  • Publisher Date: 09 Feb 2015
  • Height: 210 mm
  • No of Pages: 26
  • Series Title: German
  • Weight: 50 gr


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Als Fellini die Tür zum Neorealismus verschloss und das Fenster zum magischen Realismus öffnete. La Dolce Vita
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