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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91

Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91

          
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About the Book

In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either "official" or "dissident" art; and shows thatthe break up of Yugoslavia was not a result of "ancient hatreds" among its peoples but instead came from the distortion and defeat of the idea of self-management.

The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Zizek, as well as performance and conceptual artists that deserve wider, international attention.


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Product Details
  • ISBN-13: 9780472053148
  • Publisher: University of Michigan Press
  • Publisher Imprint: University of Michigan Press
  • Depth: 38
  • Language: English
  • Returnable: Y
  • Spine Width: 33 mm
  • Weight: 545 gr
  • ISBN-10: 0472053140
  • Publisher Date: 13 Jun 2016
  • Binding: Paperback
  • Height: 224 mm
  • No of Pages: 382
  • Series Title: Theater: Theory/Text/Performance
  • Sub Title: Performance and Self-Management in Yugoslavia, 1945-91
  • Width: 152 mm


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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91
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