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以筆墨弘揚佛法:星雲大師與弘一大師: Teaching Buddhism Through Calligraphy: Masters Hsin-yun and Hongyi

以筆墨弘揚佛法:星雲大師與弘一大師: Teaching Buddhism Through Calligraphy: Masters Hsin-yun and Hongyi

          
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About the Book

中國的書法藝術是中華文化中的瑰寶,在國粹中名列前茅。在世界藝術史中,它亦獨樹一幟。世界上惟一將古來文字發展為藝術的,只有中華文化,而世界上好幾位佛教高僧也都以書法名世;他們發願救苦救難普度眾生,這些悅目的墨寶既是他們的喉舌,也都是向眾生開示的工具。作者透過星雲大師和和弘一大師的墨寶,帶領讀者進入中國文化的精華領域:「人身難得,中土難生,佛法難聞。」在佛光山的牆上,就有星雲大師寫的:『人身難得今已得,佛法難聞今已聞;此身不向今生度,更向何生度此身?』


◇自序◇


書法在三千年的華夏文化中有其重要的地位。歷代佛教大師中,不乏以筆墨弘揚佛法,教化勸善者。對個人,家庭,和社會,佛教大師們的書法,確有潛移默化和移風易俗的作用。

全書分兩大部分。第一部分是星雲大師的無盡燈,包括:早年和近年的一筆字和星雲大師以墨寶辦學的世紀奇蹟。

開啟佛教新運並提倡人間佛教的星雲大師(1927--),同時也是一位擅書者。他與書法之緣,從早年因信徒奉獻而贈字起,演變到後來的信徒以奉獻來求字,捐獻所積,居然成為洛杉磯西來大學的建校基金。星雲大師後來又陸陸續續設立了宜蘭佛光大學,嘉義南華大學,澳洲南天大學和菲律賓光明大學。這些學校的營運,多賴大師天天不斷地書寫支持,其中的書法因緣著實不可思議。大師時常是一天寫一百張,據他說,早年有一天寫了四百多張,寫得腰酸背痛 -- 這大概是大師的最高紀錄了。

三十多年前,大師因健康原因,視力受到影響,但他仍作書不輟。他說,提筆以後,一筆寫下去,不能停頓;停頓則不知再落筆何處。如今的星雲大師年過九十,但仍舊不斷執筆勤寫,他的一筆字寫出了中國書法史上的新頁。

星雲大師的一筆字曾在世界各地展覽,而大師在紅紙上寫的新年祝賀語最受大家喜愛,現在每年印發到全球各地的超過一百萬張。大師墨寶所點亮的這盞燈,確實已將佛光照亮了五大洲。本書此一部分以大師的墨寶為焦點。大師墨寶不計其數。而本書選用不過數十幅,只能說是墨寶中的樣品。在這裡,要和讀者們一同來欣賞,讚嘆,思索,領悟和回味。

筆者未曾與大師見過面。2019年,有幸去佛光山開會,見到多位法師,但未見到大師。記得許多年前,有一次登上由洛杉磯飛台灣桃園的班機,在經濟艙坐定以後,有位前排的太太大聲告訴她的朋友說:"星雲大師在前面。"所以作者與大師曾經"同船渡"。

本書第二部分著重弘一大師(1880-1942)教導學僧寫毛筆字的方法,從選擇紙張到毛筆都是學問。大師憑藉自己從八歲開始學寫字的經驗,認為學寫毛筆字應從篆書入手,以此為學習隸書,楷書,行書的起點。大師從寫字的方法,理論,到毛筆字作品的評鑑,如何為作品打分數,都有他獨特的見解。這些都是星雲大師很少談到的。

弘一大師前半生是風流才子,後半生是有道的高僧。早年他提倡話劇,擅於繪畫,並能作曲,也懂金石。在大師的督促下,與他的學生豐子愷合寫護生畫集,強調萬物並育而不相害,勸戒殺生,影響深遠。

大師最後的一次演講就是討論如何寫字的。弘一大師提出一個說法就是"字以人傳"。筆者覺得這兩位大師的墨寶受到大家的尊重,珍視與喜愛,就是這個理論的最佳詮釋。



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Product Details
  • ISBN-13: 9781647841287
  • Publisher: Ehgbooks
  • Binding: Paperback
  • Language: Chinese
  • Returnable: N
  • Sub Title: Teaching Buddhism Through Calligraphy: Masters Hsin-yun and Hongyi
  • Width: 152 mm
  • ISBN-10: 1647841283
  • Publisher Date: 01 Dec 2022
  • Height: 229 mm
  • No of Pages: 108
  • Spine Width: 7 mm
  • Weight: 172 gr


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