Pim Verhulst

Pim VerhulstPim Verhulst is Research Assistant in English at the University of Antwerp, Belgium.

Pim Verhulst is a postdoctoral researcher at the University of Antwerp's Centre for Manuscript Genetics and a team member of the ERC-funded project 'Creatve Undoing and Textual Scholarship: A Rapprochement Between Genetic Criticism and Scholarly Editing' (CUTS), supervised by Dirk Van Hulle. His teaching experience includes courses on Academic Writing, Samuel Beckett, James Joyce, Modernism, English Literary History and Culture. He has published articles on genetic criticism, scholarly editing, bilingualism, (self-)translation, Modernism and radio drama in the journals Samuel Beckett Today / Aujourd'hui,
Variants, English Text Construction and the Journal of Beckett Studies, of which he is an assistant editor. He has also contributed to The New Cambridge Compaion to Samuel Beckett (CUP, 2015), Samuel Beckett and BBC Radio: A Reassessment (Palgrave, 2017) and Beckett and Modernism (Palgrave, 2018), of which he is a co-editor. He is also the author of The Making of Samuel Beckett's Radio Plays (Bloomsbury, 2018) in the Beckett Digital Manuscript Project.
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Word, Sound and Music in Radio Drama27 %
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Tuning in to the Neo-Avant-Garde43 %
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Beckett and Modernism37 %
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Beckett and Modernism37 %
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Beckett's Afterlives46 % NR
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Beckett's Afterlives52 % NR
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Making of Samuel Beckett's 'Waiting for Godot'/'en Attendant Godot'32 %
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Making of Samuel Beckett's 'Malone Dies'/'Malone Meurt'32 %
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Making of Samuel Beckett's 'Molloy'32 %
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The Making of Samuel Beckett's Radio PlaysNR
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