Lúcia Nagib

Lúcia NagibLúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cineas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima's Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (EstaçãoLiberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Read More Read Less

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World Cinema and the Ethics of
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Brazilian Cinema and the Aesthetics of Ruins32 %
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Cinema in the Arab World32 %
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Pablo Trapero and the Politics of Violence32 %
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Spanish Fantastic32 %
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New Generation in Chinese Animation33 %
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Realist Cinema as World Cinema27 %
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Eastern Approaches to Western Film33 %
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Theorizing World Cinema32 %
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Queer Masculinities in Latin American Cinema33 %
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Realism in Greek Cinema38 %
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Performing Authorship33 %
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New Argentine Cinema32 %
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Impure Cinema33 %
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East Asian Film Noir33 %
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East Asian Film Noir32 %
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New Directions in German Cinema32 %
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Cosmopolitan Cinema4 % NR
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Bollypolitics28 % NR
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