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Vera Ikon - Verwandtschaft von christlicher Reliquie und früher Fotografie

Vera Ikon - Verwandtschaft von christlicher Reliquie und früher Fotografie

          
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About the Book

Bachelorarbeit aus dem Jahr 2012 im Fachbereich Kunst - Kunstgeschichte, Note: 1,3, Friedrich-Alexander-Universität Erlangen-Nürnberg (Institut für Kunstgeschichte), Sprache: Deutsch, Abstract: Das Bild und die Wahrheit bezeichnen zwei Kategorien, deren Verhältnis zueinander nur als ein sowohl inniges als auch spannungsgeladenes beschrieben werden kann. Das eine sollte der anderen im Idealfall entsprechen, wobei gar nicht immer zweifelsfrei zu klären ist, ob die eine sich überhaupt ohne Einbußen ins andere setzen lässt. Kann ein Bild letztlich überhaupt verlässliche Aussagen treffen? Die vorliegende Arbeit wird sich nicht explizit mit der wechselvollen Geschichte christlicher Kunstproduktion beschäftigen, sondern allein auf einen Sonderfall innerhalb des sakralen Bildkosmos dieser Religion Bezug nehmen, nämlich dem des sogenannten "nicht von Menschenhand geschaffenen Bildes", des Acheiropoietos, Mandylion oder auch Vera Ikon. Vor allem soll es aber Aufgabe dieser Untersuchung sein, die Konfrontation von christlichem Bildinhalt und fotografischem Motiv anhand von Beispielen zu untersuchen, in denen die beiden Sphären unmittelbar ineinander fallen - dies sind zunächst Aufnahmen der Stadt Jerusalem, wie sie Auguste Salzmann und Francis Frith in den 1850er Jahren angefertigt haben, aber auch die fotografische Reproduktion des Turiner Grabtuchs, eines eben solchen scheinbar "nicht von Menschenhand geschaffenen" Abbildes Christi durch Secondo Pia und nicht zuletzt die Selbstinszenierung eines Fred Holland Day als gekreuzigter Heiland im Foto - die beiden letzteren entstanden im ausgehenden 19. Jahrhundert. Es gilt festzuhalten, dass man es bei der frühen Fotografie einer- und christlichen Bildreliquien andererseits mit zwei unterschiedlichen Arten von Bildern zu tun hat, die beide für sich einen bestimmten Wahrheitsanspruch behaupten. Mittels einer vergleichenden Analyse dieser Fotografien und der "nicht von Menschenhand gemachten" Bilder im Christentum, sowie der Erfo


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Product Details
  • ISBN-13: 9783656312925
  • Publisher: Grin Publishing
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 3 mm
  • Width: 148 mm
  • ISBN-10: 3656312923
  • Publisher Date: 19 Nov 2012
  • Height: 210 mm
  • No of Pages: 48
  • Series Title: German
  • Weight: 77 gr


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